Week 9: Panel, Table, Trunk
Hello Reader,
This week marked the final phase of physical work on the Helen Birch Bartlett Memorial Exhibit at the Bonnet House Museum and Gardens. Although I wasn’t able to come in on Monday as I had planned (due to an injured ankle over the weekend), I was still able to make it in on Wednesday and Thursday to move the exhibit closer to completion. This post is organized into the three key components of the exhibit we finalized this week: the panel, the table display, and the trunk installation.
The Panel
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Completed Panel |
To support the panel safely without damaging any historic surfaces, Dan, our groundskeeper, built a base so the panel could stand freely. This allows the panel to remain stable and visible without having to lean against any walls or structures in the house. With that in place, our work on the panel was finished.
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Mounting and Velcro |
The Table Display
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Finalized Table Display |
The next part of the exhibit is the table display, which features several of Helen’s personal items beneath a clear exhibit box. Although I had finalized the selection of items earlier, I still needed to create a legend to help visitors identify what each piece represents. Each item was labeled with a small Scrabble-style tile, and I created a corresponding key for reference.
We had limited space to work with, so I sorted through old frames in the archival room and found a tall, narrow frame that fit perfectly beside the exhibit case. Additionally, Dan cut a piece of plexiglass to cover the drawer in the table, which contains books that Helen owned and signed. I cleaned the plexiglass and placed it over the open drawer—a perfect fit that completed the table portion of the display.
The Trunk & Capricious Winds
The last section of the exhibit, the display of Capricious Winds, was by far the simplest to complete. Using Helen’s old travel trunk, we created a small reading station by placing a table inside the open trunk and setting out a copy of her poetry book for guests to flip through. Katie and I looked around various parts of the house, including dry storage and offices, before we eventually found the perfect-sized table in the volunteer lounge.
While setting up the trunk, Katie showed me the inserts that had lined the interior. She pointed out damage caused by insects, explaining that the bugs hadn’t been targeting the fabric or wood themselves, but rather the glue used to bind it (since older adhesives often contained animal materials). It was a fascinating bit of preservation insight and a reminder of how many details go into maintaining historical objects.
We are looking into having Capricious Winds reprinted in a more accessible and larger flip book for patrons to flip through. In the meantime, we will be using the copy given to us by our friends at Glen Helen (since it is a reproduction and can be handled by guests).
By the end of the week, all three components of the exhibit were finalized and nearly ready for installation. Despite a minor setback early in the week, it was a productive and satisfying few days of hands-on work.
More soon,
Maria Formoso
P.S. One perk of working at a museum? When there’s an event happening on-site, you get to enjoy the benefits of catering. This week’s reward: a surprise mid-day charcuterie board!
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